In previous years we have had two plays but this year we had three which got increasingly dark.
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She easily overpowers him physically and mentally, with the help of her hockey stick, and challenges him on his choice of career. His reasons for adopting a life of crime fall apart under her questioning and somehow he is convinced to apply for a job as a footman that the girl knows is available.
The humour comes from the girl's strength and the burglar's weakness and that makes for a jolly little piece.
The second play was a dark response using a similar situation but with a different outcome.
The young girl is in power but the victim is not a burglar but a respectable couple and she is the one who has broken in. She has also used violence and threatens more.
Menace is spread across the play like jam across a sandwich. Menace is the play.
This girl is also in complete control but rather than helping the couple she torments them with a succession of suggestions that she knows things about them, such as an affair the husband has had.
And that's how it goes. No story as such, just a hint of lots of stories, and the menace to make them all believable.
After the break we moved back to early sixties America when black people were still n#####s and the world was even less safe for them than it is today.
A chance meeting on a commuter train swings violently between passion and, er, violence.
They flirt, she suggests that they go to a party, he's interested, she changes mood and becomes aggressive for a while, then starts flirting again.
In the end he's a black man in a world where black people are not even second-class citizens and he pays the price for that.
It's intense, harrowing and kicks you just where a good play should kick you.
The Directors' Showcase usually features plays that are provocative and challenging. Plays just like these. Plays that I like.
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