I have a Google Alert set for Philip Ridley and I was drinking in the Grey Horse last night so I was surprised to the extent of being shocked to discover this morning that there was a Ridley play on at Ram Jam Club (part of the pub) today.
A few frantic unanswered emails later and I was walking to the pub in the hope, and some expectation, that I would be able to get in. I was about the first person there and as it had not sold out I was able to get a ticket. I also got a pint of Naked Ladies and a table at the front.
The Ram Jam Club is a cosy venue and it worked well fashioned for theatre. I had only be there previously for music.
I had some trepidations about seeing the play as when I saw it the first time, at Soho Theatre in March 2015, it starred Gemma Whelan and that is a hard act to follow. Still, I reasoned that it was a brilliant script and some modest acting would not hurt it too much.
I was right on one count and wrong on the other.
The script was brilliant and in addition to it's fantastical story it had some exquisite lines. Just one example, "You stick out like a toddler's leg leg from a crocodile's mouth". The acting, however, was not modest - it was very good. I was particularly impressed by the quick fire birthday party scene at the end when Joy Bowers and James Dart had to play multiple roles at the same time. It was wonderfully done.
It was a small stage and good use was made of it. The movement was a significant component of the play's success so here is a little bit of recognition for Movement Director Louise-Mai Newbury.
Radiant Vermin was a real treat and all the more so for being unexpected.
A few frantic unanswered emails later and I was walking to the pub in the hope, and some expectation, that I would be able to get in. I was about the first person there and as it had not sold out I was able to get a ticket. I also got a pint of Naked Ladies and a table at the front.
The Ram Jam Club is a cosy venue and it worked well fashioned for theatre. I had only be there previously for music.
I had some trepidations about seeing the play as when I saw it the first time, at Soho Theatre in March 2015, it starred Gemma Whelan and that is a hard act to follow. Still, I reasoned that it was a brilliant script and some modest acting would not hurt it too much.
I was right on one count and wrong on the other.
The script was brilliant and in addition to it's fantastical story it had some exquisite lines. Just one example, "You stick out like a toddler's leg leg from a crocodile's mouth". The acting, however, was not modest - it was very good. I was particularly impressed by the quick fire birthday party scene at the end when Joy Bowers and James Dart had to play multiple roles at the same time. It was wonderfully done.
It was a small stage and good use was made of it. The movement was a significant component of the play's success so here is a little bit of recognition for Movement Director Louise-Mai Newbury.
Radiant Vermin was a real treat and all the more so for being unexpected.
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