Fairly obviously, I think, the fanfare was due to John Lithgow's sward winning performance. That was my interest too though, perhaps unusually, because of his roles in Dexter and Cliffhanger.
I was quick at the second time of asking and managed to get a good seat, Balcony A9 for a very respectable £40.
Despite being up in "the gods" the view was good, helped by having all the action at the front of the stage. It was also less vertiginous than other similar seats that I have been in, thanks to a solid safety rail.
The story, such as it was, covered Roald Dahl's published views on Israel, which were based on his own direct experience, and how these were edging towards anti-semitism.
The topic was controversial then as it is now with Israel again bombing neighbouring countries and that topicality made the historical story very relevant.
While the jury is out on Roald Dahl there is no doubting the quality of the script or of John Lithgow's performance. This was top-grade theatre and that it left such a controversial question still open at the end is to its credit.