I have seen Macbeth numerous times and there has to be a pretty good reason to drag me out to see another version, and this production did that. Clearly Ralph Fiennes is a big attraction and I was also very tempted by the prospect of a staging in a performance space rather than a traditional theatre.
This was Julia's birthday treat so we pushed the boat out, quite a long way, and paid £85 each for our seats.
Dock X is in Canada Water which was convenient enough to get to (via dinner at Culture Grub by Waterloo) and a little difficult to find, we had to ask.
The venue was basic with bare concrete floors and simple seating in the auditorium. The stage was simple and raised and I had an excellent view of the whole stage ftom a corner position. I may have read my own biases into this but it looked more like an event audience than a theatre audience to me, e.g. it was much younger than I am used to for Shakespeare.
I was expecting the staging to do more than it did as the uniqueness of the production was billed as a key feature whereas I found it all very obvious. Indeed, productions like the one at National Theatre with Rory Kinnear in 2018 were much more experimental.
Essentially this was a standard production of Macbeth disguised as something more interesting.
Enough with the bad news, the production was probably the best Macbeth I have ever seen thanks to the production letting the words of Shakespeare do all the heavy lifting and to stellar performances by the two leads who gave those words the time and the space to flourish.