The Eel Pie is an unusual, and unhelpful, shape and so I wanted to get in early to bag one of the few decent seats. Doors were 7:45pm and I was in the queue around 7pm. Luckily the queue was only a couple of people at that stage (though they were later joined by friends) so I was reasonably confident.
Julia and Peter joined me before the doors opened and we were amongst the first to be let in byJason on security who had amused us with his conspiracy theories (15 Minute Cites are a form of lockdown, etc.) while we waited.
My initial plan was to sit on the lower lever next to the stage but all the gubbins, artistic and technical, meant that the view from there was very obstructed so we went for seats in the prime position on the upper level. The view from there is the best but the seats are just Ottomans (no backs) so are lest comfortable. The view won.
The set was, I think, the same as at Lewes with several newish songs and a few classics (e.g. Fire and Time Captives) delivered with a keyboards-heavy late 60's vibe, think Doors' Light My Fire, that had extended instrumental sections to give Arthur time to do his many costume changes. There was even some audience participation as we joined in on the chants of "Burn!" and on the "La da da" ending to Time Captives.
It was yet another brilliant evening with Arthur Brown and his band. I plan to see them again in November!
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