22 September 2016

Lots of laughs with The Roundabout at Park Theatre


My only problem with Park Theatre is that they built it in the wrong place. It lives next to Finsbury Park in north-east London while I live and work in south-west London. Luckily there are plenty of trains to take me into Vauxhall where the Victoria Line can whisk me through London. The journey is about an hour door-to-door, which is fine.

One reason for loving Park Theatre is the front of house facilities and atmosphere. This time I started with an excellent mushroom quiche and salad accompanied by a bottle of decent Chelsea Blonde. I also made use of the free wifi to do a little bit of tweeting. The Park Theatre has everything I need.

The Roundabout was almost a speculative choice of plays to see. My main reason for seeing it was simply because I had not been to Park Theatre for a while and this looked like a good enough reason to go, It was written by Northern Legend J.B. Priestley which helped despite me not being a major fan of his, I saw this as a chance to learn more about him and perhaps to change my mind. The final reason for seeing it was that the cast included Benidorm Legend Hugh Sachs who I had last seen on stage in Anything Goes at the New Wimbledon Theatre.

The decision made, I helped myself to seat A3 for a derisory £20 plus my usual small donation.

The story was set in the familiar territory of a reception room in a large country house. Here we met the master of the house and struggling financier, Lord Kettlewell, and his idle friend of many years Churton (Chuffy) Saunders. There were, of course, a butler and a maid on hand and also there was a young artist composing designs for the dining room. Expected to add to this group was the Lord's colleague who was on his way, at the weekend, to try and help with the financial problems.

And that was just the beginning, four other people also arrived all either unexpectedly or at short notice and each brought further confusion to the household and more comedy to the situation. This was especially true of Lord Kettlewell's daughter, Pamela (pictured above), who was played admirably by Bessie Carter in her first professional role. Pamela soon had everybody else playing to her tune and steered the story towards its satisfying conclusion.

With a cast of eleven there were plenty of character types and their interactions for Priestly to play with and he did so adroitly producing a steady stream of smiles, giggles and laughs. The woman directly opposite he had a very broad grin on her face all the way through and I suspect that I did too.

The Roundabout was never going to challenge the intellect, and nor was it trying to. What it did do was entertain mightily with a story that skipped and jumped in different directions, a cast of interesting characters all played with conviction and panache, and some crisp dialogue to mesh everything together. It was delightful.
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17 September 2016

Good Canary at the Rose Theatre


The biggest impediment to me seeing things at the Rose Theatre is their woeful publicity so it is lucky that Good Canary was one of their own productions and so did get some publicity. Visiting shows are less fortunate.

I suspect that many people will go to see this because of the John Malkovich name, even though he is "only" directing and does not appear on stage, I went because it sounded interesting, the sort of play that I am used to seeing at places like Theatre503 and if I'd go to Clapham to see a play like that then clearly I would go closer to home.

The Rose is a nice walk from home which takes slightly under an hour at a leisurely pace along the river. I left home soon after 5pm intending to eat something at Wagamama but got tempted in to The Gazebo by the vegetarian Korean Curry on the menu. It was also good to have a pint of Old Brewery Bitter again. It was my staple diet when I first started working in London but Sam Smiths pubs are few and far between and so I have few opportunities to get to one.

I got to the Rose in good time for a glass of Prosecco despite the traditional long queue for the bar. Looking around I was pleased to see that so many people had dressed up for the evening, though none had a shirt to match mine. Especially not John Malkovich who walked past me a couple of times dressed like a presenter on Scrapheap Challenge.

The first impact that Good Canary made was with its staging. Extensive use was made of back projection to change the set from scene to scene as the few props came on and off the stage as if by magic, but which was probably wires. Both techniques allowed the scenes to change quickly and that maintained the pace of the story.

That story concerned a young married couple. He was on the verge of a promising career as a written while she took industrial levels of drugs, mostly speed, in an effort to cope with her depression. That tension between hope and despair drove the drama and I was entangled in their emotions as I watched the couple swing between ups and downs.

Annie, as the person with the mental issues and the strong drug habit, was at the heart of everything that happened and ridiculously young Freya  Mavor was sensational. Not just good, sensational. She went from playful, to loving, to desperate, to angry and took us with her every step of the way.

With a decent story, great staging and a sensational actress Good Canary was an excellent production. I hope that the Rose will have the courage to put on more plays like this and leaves the quaint period dramas to Richmond Theatre to do.

My new best shirt is also by 1 Like No Other

I have a new best shirt and it is also by 1 Like No Other, my third. If this shirt was in a Lewis Carroll novel then it would have a prominent label on it demanding "Buy Me", which I did.

I cannot recall now how I stumbled across it, and there was nothing remotely pressing about my need for a new best shirt (I have about six Division 1 shirts), but once seen I had no option but to buy it. I did think about it for a couple of days, because of the cost, until simple arguments like "you cannot take it with you" and "you deserve it" won the day.

It got its first outing to the Rose Theatre and did its job magnificently. I wonder what John Malkovich made of it when he walked by.


If there was any doubt of the standing of 1 Like No Other then this was dispelled when I saw Peter Huf (yes, the Huf Haus guy) wearing one at a talk this week. I was only upset that I was not wearing one of mine, though I have not yet got to the stage where 1 Like No Other shirts have become normal day-wear, that's Division 3 and these shirts are Division 1.

16 September 2016

No Man's Land at Wyndhams Theatre lived up to its billing


You only have to look at the poster above to see why I was keen to see this, the names McKellen, Stewart and Pinter were compelling.

Obviously the theatre thought so too and the seats were not cheap. I reasoned that the dialogue would be the main point of the play and that did not require me to be that close so I went to the top level, the Grand Circle , where seat A19 cost me £45. Hardly a bargain but reasonable (just). Lots of other people seemed to think the price was OK and the place was packed.

No Man's Land was an ideal vehicle for two elderly acting legends as it consisted mostly of them sitting in a room talking to each other. The main physical movement was going to the little bar to get even more drinks. Ian McKellen did move from one modest chair to another sometimes, both on the edge of the room, but Patrick Stewart spent most of the time in a plush leather chair in the middle.

Much like The Caretaker which I saw earlier in the year (or even Waiting for Godot) this was a play about discovering people and their histories through their conversations. Some things happen, not just lots of drinking, but they were just normal every-day things, like having breakfast, and were not material to the plot.

Unlike The Caretaker though, this was very much a play of two halves, evening and morning, and the mood was very different in each; in the first half they were strangers sharing a late-night drink and in the second they were old friends trying to out do each other with stories of women in their shared past.

Pinter played his part, and played it well, but No Man's Land was all about McKellen and Stewart. McKellen seemed to have more of the lines and also had to move around the mostly seated Stewart a lot and because of this he shone a little brighter than Stewart but they were both superb and it is more important to recognise that than to try and tease out differences between them.

I went to see No Man's Land because of three names and those three names all performed well to make this an evening to more than justify its exulted price tag.

Another 1 Like No Other shirt joins my collection

I got my first 1 Like No Other shirt as a Christmas present in 2013 and it immediately won me over to the brand thanks to both the pretty pattern and the quality of the construction. It also helped me to re-categorise my shirts with the creation of an upper division of shirts for special occasions only, the sort of shirt that gets worn once or twice a year.

The division below that has my newer Liberty shirts which I am still buying at the rate of one or two a year. As these get worn they drop a division where they can be worn to work.

Wearing flowery shirts to work at my new job gives me the excuse to buy more of them in all categories and so I treated myself to this one from 1 Like No Other. It is individually numbered and limited to 500 pieces, mine is number 18.


The special occasion it made its debut for was seeing the play No Man's Land. This would not normally be grand enough to justify a shirt as exceptional as this but I wanted to wear it once before it took its place alongside the other Division 1 shirts in my wardrobe.

Wearing it to the theatre in the evening also meant wearing it to work during the day where it got a suitable reception, the other exotic shirt wearer complimented it and everybody else accepted it as the sort of shirt that they are used to seeing me in.

15 September 2016

Traditional Craftsmanship Meets High Technology to produce outstanding houses


If ever I was going to go to a talk then this was it. In Traditional Craftsmanship Meets High Technology Peter Huf told the story of the Huf Haus with a strong slant towards the house almost completing construction less than a minute away.

The talk was arranged by Ham Amenities Group (HAG) which I find myself the publicity for, This meant that I got to do the poster for the event that was on display at the library, where the talk was given, and also the community noticeboard on Ham Parade. I like to think that my publicity contributed to the room being full to overflowing with a few disappointed people left outside. They should have paid attention to the notice at the bottom of my poster recommending that people book.

I should have read my own poster too and then I would have arrived for a 7:30pm start rather than the 7:00pm I was expecting.

The plus side of being ultra-early was a seat in the front row and a chance to have a quick word with Peter Huf in which I was able to compliment him on his 1 Like No Other shirt which I had recognised from some distance.

I had seen Peter Huf talk before, way back in 2011, and expected something similar and was very pleasantly surprised about how different it was this time.

Because I had seen some of it before, and also because I was paying lots of attention to what was being said and shown, I took only a few notes. These are them.

Design the house for the plot. A Huf Haus is built around the trees and because it is made of timber it talks to them. The point of the garden is to appreciate it from the house, not from the street.

Design features like roof overhangs and automated external blinds that follow the sun help to keep the houses very comfortable to live in while providing remarkably high levels of sustainability, far more than any existing standard requires.

The heavy wooden beams (they support concrete floors) use structural protection rather than chemical protection. For example, they do not touch the ground or the concrete floors. This also stops sound travelling through the house.

The electric cables in the house are shielded (Cat 7) to prevent electromagnetic radiation leaking into the house. There were several examples like that which showed just how much care and attention Huf Haus pay to the quality of life of those living in their houses.

Planner like Huf Haus as they are built exactly to plan.

Peter said that the planning system in the UK is too democratic leading to mediocrity as bold schemes are opposed. We have had an example of this locally with the third Huf Haus being delayed by an appeal being lodged by two residents against the planning permission granted by Richmond Council. They lost the appeal but it added an unnecessary delay to a simple project that will replace a very average house with a special one.

It was a very informative and uplifting talk that prompted many questions from the (mostly) friendly audience and, just like the last time, left me wondering what I had to do to get my own Huf Haus. I've not worked out how to do that yet so I'll just have to settle for visiting them whenever I can.

You can see more about the coming of Huf Haus to Ham and Petersham on my Ham Photos Blog.

20 August 2016

London Broncos 28 - 42 Leeds Rhinos

Various things have conspired against me seeing Leeds Rhinos playing in recent years, mostly the London's only team, the Broncos, moving away from Twickenham (a comfortable walking distance) to Enfield (I have no idea how to get there) and then being relegated so that they had no regular fixture against Rhinos.

Then Rhinos helped by having a terrible start to the season so that they played in the end of season Qualifiers rather than the Super 8s and the Broncos helped by moving to Ealing which I can get to on one bus.

Well, normally it would be one bus but a road closure meant that three buses or, as it turned out, one long walk to Richmond and then the rerouted 65. I had planned to walk from Ealing Station to the ground but I had done enough walking by then so I took the 297 bus. It was good to see a few other people in various Leeds Rhinos shirts get on the bus with me. None of us had been to the ground before so we all used our phones to work out the route and mine threw me off the bus the stop before everybody else, it was not a long walk from there to the ground but I suspect that everybody else took the better option.

First impressions of Ealing Trailfinders was good. Two sides of the ground were little more than basic but, at one end, had a reasonable amount of covered seating and along one side was the main building with grandstand, bar, shop and dressing rooms. Judging by the noise coming from there that is where all the Broncos fans were; they had to be somewhere as the rest of the ground was packed with Rhinos fans.



The game itself was patchy with Leeds Rhinos dominating the possession and territory for large sections of the game, enabling them to run in an impressive eight tries, but they also lost concentration a few times to allow Broncos to run in five tries themselves, including the first one and the last two. Several of the Rhino's tries came from wide play with winger Tom Briscoe getting three, and with the gusting wind several conversions were missed which also made the score closer than it could have been. The final score flattered Broncos somewhat and I had hoped for something like the 12-58 win I had seen a couple of years ago.

Still, a win is a win and I was happy with that and with the chance to see Leeds Rhinos in the flesh again.

And I was so buoyed by the win that I walked all the way back to Ealing before taking the 65 back to Teddington where I found a pub to celebrate in.

13 August 2016

Brexit means paying a fortune to make ourselves worse off

Obviously there was more to the Brexit debate than just the economy, which is just as well as the wheels on that bus are falling off that bus rapidly. We always knew that leaving the EU would be bad for the economy and we are just beginning to find out how bad.

To add insult to injury, we will be paying a small fortune over the next few years to make ourselves worse off. The Department for leaving the EU have just announced their Senior Management Team and it's big. There will be thousands of other managers and staff below this adding millions to the wage bill. Then we can add the cost of all the officials in other departments and organisations that these people will be working with.



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