13 October 2016

When We Are Married at Rose Theatre was modestly funny

Somehow I found myself seeing three J B Priestly plays in short succession and as an experience this one fell somewhere in the middle of the three.

There was no compelling reason for me to see this but it was at my local theatre, Rose Theatre, it was by J B Priestly and it was presented by Northern Broadsides. That was enough for me to fork out £26 for Seat A43.

The stage was set fairly simply as the lounge in a reasonable house in 1930's Yorkshire. There three couples were celebrating their shared 25th wedding anniversaries when they receive the news that they were not properly married.

This caused a lot of consternation, not being married was called "living in sin" then, and also forced each couple to consider if, now they were single, they would marry the partners they thought that they were married to.

There were some strong stereotypes in the group, such as one henpecked husband and one really boring one, and these were joined by a surly housemaid and a drunk photographer. These characters, rather than any plot, were  the root of much of the play's humour. This made the humour a little simplistic at times but it was funny none the less. Just not as funny as The Roundabout had been a month earlier.

When We Are Married was pleasant enough, and easily worth the price of the ticket and a night away from other things, it was somewhat dated (that was reflected in the average age of the audience, why would any young person want to see a play like this?) and somewhat simple.

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