16 January 2026

Akram Khan's Gisele at London Coliseum

This was another show that crept under my radar, even though I subscribe to a vast number of arts emails (the volume may be part of the problem1), and it was a late decision to go, prompted by good reviews.

I was lucky with returns and got seat Upper Circle: A5 for a no-brainer £67.

I had seen Giselle many years before as a traditional ballet but this version promised "mesmerising choreography blends ballet with classical Indian dance kathak and contemporary movement, harnessing groups of dancers to dial up the intensity in every scene" which sounded very interesting, and I like interesting.

This version of Gisele combined so many things that I love including industrial music, low lighting, large groups of dancers, a simple set and unusual movements. The mix of dancing styles was obvious and worked very well.

My lasting image of the performance is the workers moving synchronously to the dark repetitive music as they did their task, which is why I chose the image above from the several available.

There was a story in there too but frankly I cared little for it and made no attempt to follow it, this was a dance of moods and movement and those did not need a narrative to justify them,

There were only a few performances at London Coliseum but a show this good must reappear somewhere before too long and I will gladly travel to anywhere (sensible) in the country to see it again.

Akram Khan's Gisele at London Coliseum was the best dance show I have ever seen.

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