Thrill Me: The Leopold and Loeb Story at Grimeborn did thrill me

The premise of Thrill Me: The Leopold and Loeb Story, child killers, may not be an obvious one for a musical (that is more opera territory) but it intrigued me and the promise of a "multi-award-winning, five-star production" was enough to get me to find £30 for seat G16 in the first row of the Balcony.

I would have gone for a decent seat downstairs but other people were as attracted to the show as I was and my favourite seats there had gone by the time that I was organised enough to buy tickets so I thought I would try the Balcony. I may have been up there before but only once and that would have been quite a while ago.

The seat was OK though there was a slight disadvantage in having a safety rail (I would rather see than be safe!) and a bigger one in not being allowed to take drinks up there. I will try and be faster off the mark in future to get a downstairs seat but the Balcony is a fair alternative.

I had not done much (i.e. any) research before hand so the minimalist production was a pleasant surprise. There were just two players, Harry Downes and Ellis Dackombe who were Leopold and Loeb funnily enough, and just one musician, a pianist.

The story started in the 1920's as the music reflected that with an easy-listening lounge style. Not usually my sort of music but it worked very well here and the music was a strength of the performance.

We met Leopold and Loeb just after they left High School. They had been very close friends and were almost lovers, though the partnership was very unequal with one of them universally popular and outgoing and the other shy and a loner. They were both rich and looking for thrills. They committed petty crimes just for the excitement. Things developed badly from there.

The story was important but more important was the evolving relationship between the two young men and that was portrayed sensitively and intelligently. The singing was spot-on too emphasising the changing emotions expertly. It was pure joy to watch and to listen to.

The set was simple but clever too with, for example, a car conjured from a few pieces of wood. Beds and desks came and went quickly too and that nicely maintained the pace and, through that, the emotional connection with the young men and their situation.

 Thrill Me was a sumptuous production all round and it did indeed thrill me.